In
his latest "Regarding Media" column in the Los Angeles Times
(Sat. June 10, 2006), the perpetually clueless
Tim Rutten claims that author Ann Coulter is a "pornographer"
and her latest tome is "pornography" and "hate." ("Like most
pornographers ... [Coulter] is resourceful in the service of her own
economic and other interests.") In addition, Rutten expounds (emphases
mine),
If you've ever encountered Coulter on television or glanced at
one of her book covers — all of which feature a "glamour shot" photo
— you've probably noticed that she's inevitably dressed in an
improbably short and low-cut black dress. At a gaunt 45 years of
age, you might think the ingénue with fangs shtick
would be wearing rather thin. Still, it's always been true that a
certain segment of pornography consumers derive an erotic
charge from the trappings of hate. Black leather and
relic Nazi paraphernalia, for example, have a kind of iconic
status in the sadomasochistic subcultures inclined toward fetishism.
Is Rutten comparing Coulter's book to "black leather and relic Nazi
paraphernalia"? Ugh. And, apparently, if I'm a purchaser of Ann
Coulter's Godless, I'm part of the "sadomasochistic subcultures
inclined toward fetishism"? Good grief.
Rutten's dim piece also appears to challenge the practice of "name
calling," yet he's not shy to throw around some name calling of his own.
In addition to plastering Coulter as a "pornographer" and an "ingénue
with fangs," Rutten also attacks Fox's Bill O'Reilly as "the Diamond Jim
Brady of televised epithets" (Diamond
Jim Brady at Wikipedia).
Rutten's relentless record of liberal bias has been documented in
several places, including
here,
here,
here,
here,
here,
here, and
here. (Patterico
is a must-read for followers of the LA Times.)
Equally as frustrating is that Rutten has had the gall to actually
portray himself as a
"pretty conservative guy." No. He's not kidding. (Rutten has
actually
called himself, "pro-life," yet he does not favor the
reversal of Roe v. Wade. Wha-?)
Maybe if Rutten would have shown as much criticism of the hateful
works of the likes of Ted Rall (here,
here,
here,
here, and
here), Tom Toles (here),
and Markos Moulitsas Zúniga (“Daily
Kos”), he could gain an ounce of credibility. Instead, Rutten
remains disillusioned in the belief that he is a balanced reporter.